Etching, 1925; edition of 70. Image size 5-5/8” x 4-1/8”; sheet size 11¾” x 9”. Signed in pencil by Heintzelman in the lower margin. Beautifully inked impression in fine overall condition. Guiot 104; Smith 110.

$425

Drypoint, 1925; edition of 60. Image size 7-7/8” x 11-3/8”; sheet size 12-7/8” x 17¾”. Signed and annotated 1st state by Heintzelman in pencil in the lower margin. Fine. Guiot 111; Smith 117.

$350

Etching, 1925; edition of 100, plus 10 proofs for a private collection. Image size 11” x 15½”; sheet size 12¾” x 17”. Annotated “1st state”. There were no subsequent states. Signed in pencil by Heintzelman in the lower margin. Fine overall condition. Guiot 107; Smith 113

$425

Etching, 1925; edition of 70. Image size 13-3/4” x 10”; sheet size 16-1/2” x 12-3/4”. Signed by the artist and annotated “1st state” in pencil in the lower margin. An attractive image in very good overall condition, with toning in the mat aperture and closed tears in the left margin away from the sight area. Smith 114; Guiot 108.

$275

Drypoint, 1925; edition of 50 on Van Gelder plus 8 on old paper. Image size 10-7/8” x 7-7/8”; sheet size 16½” x 12-15/16”. Marked “1st state” and signed in pencil by Heintzelman in the lower margin. There was just one state issued. A fine, detailed impression in overall fine condition. Guiot 109; Smith 115.

$325

Etching, 1926; edition of 100. Image size 3-7/8” x 4¾”; sheet size 9” x 12¾”. Signed in pencil by Heintzelman in the lower margin. Fine. Smith 117; Guiot 111.

$325

Etching, 1926; edition of 115. Image size 10½” x 9½”; sheet size 15-7/8” x 12-5/8”. Signed in pencil by Heintzelman in the lower margin. A fine impression in overall fine condition. Smith 118.

$375

Etching, 1926; edition of 115. Image size 7-7/8” x 11-1/8”; sheet size 10-3/4” x 15”. Signed in pencil by Heintzelman in the lower margin. A fine, nuanced impression in overall fine condition. Smith 119.

$450

Etching, 1926; edition of 6. Image size 3-1/8” x 3-7/8”; sheet size 4-5/8” x 7-1/8”. A fine impression, with faint toning in the sight area. Guiot 114; Smith 120.

$225

Etching, 1926; edition of 125. Image size 3-1/8” x 3-7/8”; sheet size 4-7/8” x 5-1/8”. A fine impression in overall fine condition, with a 3/8” x 5/8” triangular loss at the upper left corner of the sheet, well away from the sight area. Smith 120; Guiot 114.

$200

Drypoint, 1926; edition of 80. Image size 6½” x 8½”; sheet size 12¾” x 15”. Edition size and signature by Heintzelman in pencil in the lower margin. Fine. Guiot 116; Smith 122.

SOLD

Etching, 1926; edition of 100. Image size 6-3/8" x 8-15/16"; sheet size 11-15/16" x 15-7/16". Numbered and signed in pencil by Heintzelman in the lower margin. A fine impression in fine condition. Guiot 119; Smith 125

$375

Another copy in good condition, numbered and signed by Heintzelman in the lower margin. with minor adhesive stains along the upper edge of the sheet, well away from the sight area.

$225

Drypoint on Van Gelder, edition of 80; image size 6¼” x 9-3/8”; sheet size 12¾” x 13¾”. Edition noted and artist’s signature in pencil in the lower margin. A fine impression on a lightly toned sheet. Smith 126.

$275

Drypoint, 1926; edition of 80. Image size 9¼” x 12”; sheet size 12-5/8” x 15-3/8”. Edition stated and signed by Heintzelman in the lower margin. A beautifull inked impression in fine condition. Foxing and staining in the outer margins well away from the sight area. Guiot 122; Smith 128.

SOLD

Drypoint, 1926; edition of 100 - this proof is one of 90 on Van Gelder. Image size 2-5/16” x 2¾”; sheet size 8-15/16” x 12-11/16”. Edition and artist's signature in pencil in the lower margin. Very slightly toned in original mat aperture. A fine impression in very good condition. Guiot 124; Smith 131.

$175

Etching, 1927, edition of 125 on Arches. Image size 4-3/8” x 5½”; sheet size 8” x 11”. Signed and titled in the plate. Numbered 41 and signed in pencil by the artist in the lower margin. This etching was used as the frontispiece for Modern American Etchers - Arthur Wm. Heintzelman published in 1927 by Minton Balch & Co. of New York. Fine. Collections of Metropolitan Museum of Art, New York; British Museum, London; Bibliothèque Nationale, Paris; and The Library of Congress, Washington. Guiot 125; Smith 132.

$275

Drypoint, 1927; edition of 74 on Rives. Image size 9-3/8” x 11-7/8”; sheet size 13-7/8” x 17-7/8”. Titled, initialed, and dated in the plate; edition stated and signed in pencil by the artist in the lower margin. A beautifully rendered image in fine condition. Smith 134. Guiot 127, fourth state. Collection of the Bibliothèque Nationale, Paris; British Museum, London; Metropolitan Museum of Art, New York.

$425

Drypoint, 1927; edition of 70. Image size 7¼” x 10-3/8”; sheet size 9-1/16” x 13½”. Fine. Guiot 128; Smith 135.

$300

Drypoint, 1927; edition of 80. Image size 7¾” x 9-7/8”; sheet size 11¼” x 14¾” . Guiot 129; Smith 136.

$475

Another copy: Faint toning in sight area, else fine.

$425

Etching, 1927. Edition of 100. Image size 3” x 5-1/8”; sheet size 9-7/16” x 12¾”. Dated “Perpignan, ‘27” in the plate and signed by Heintzelman in the lower margin. A richly inked, fine impression with faint toning in the sight area.Guiot 130; Smith 137.

$325

Drypoint, 1927; edition of 75. Image size 7-1/16” x 10-9/16”; sheet size 11-1/8” x 16¼”. Signed in pencil by the artist and annotated “Selected for Monsieur Minitrét” in the lower margin. Fine - a beautiful character study in as-new condition.

$425

Etching, 1927; edition of 100. Image size 8” x 9-13/16”; sheet size 13¼” x 14½”. Signed and dated in the plate; Edition stated and signed in pencil by Heintzelman in the lower margin. Fine. Guiot 132; Smith 139.

$475

Etching, 1929; edition of 100. Image size 6-5/8” x 5¾”; sheet size 10¼” x 10-1/8”. Edition stated and signed in pencil by Heintzelman in the lower margin. Fine.

$425

Drypoint, 1929; edition of 75. One of 63 prints on Rives. Plate size 8½” x 11-3/8”; sheet size 14-1/8” x 16½”. Printed by Eugène Delâtre, Paris. Signed in pencil in the lower margin by the artist. A very good impression in very good condition overall. The subject is the artist's wife, Katherine Sloman Heintzelman. Smith 142.

SOLD

Etching, 1929; edition of 60 (per Smith catalog). Image size 8” x 10”; sheet size 12¼” x 15-1/8”. Annotated “ed 90” and signed in pencil by Heintzelman below the plate mark. A fine, detailed impression in overall fine condition, save a small paper loss on the upper right edge and an adhesive stain along the lower right edge of the sheet. Smith 147.

$350

Drypoint, 1975; edition of 75. Image size 8-7/8” x 11¾”; sheet size 15-1/16” x 22½”. Signed, dated, and titled in the plate. Edition stated and signed in pencil by Heintzelman in the lower margin. Fine. Extremely faint toning in the sight area. Smith 148.

$525

Etching, 1929; edition of 100. Image size 12½” x 10¼”; sheet size 17½” x 13¾”. Titled “La Farandole / St. Jean de Luz” in the plate. Edition stated and signed in pencil by Heintzelman in the lower margin. Fine. Smith 150.

$525

Drypoint, 1929; edition of 75. Image size 7-3/4” x 10” with full margins. Signed and edition stated by Heintzelman in the lower margin. Very good overall.

$275

Etching, 1929; edition of 100. Image size 9-9/16” x 11-3/8”; sheet size 13-13/16" x 17". A fine impression in overall fine condition with very faint toning in the mat aperture. Smith 153.

$475

Drypoint on cream laid paper, 1929; edition of 70. Image size 9” x 11-7/8”; sheet size 14” x 18¾”. Edition statement and artist’s signature in pencil in the lower margin. Minor rippling, mounting tape remnants upper corners verso. Otherwise, a fine impression in overall fine condition. Smith 155.

SOLD